"The Observation" manages to quote the album's title tune obliquely in its bass-line, even as the singer veers close to a beat-style poetry recital. By contrast, the hauntingly beautiful "Sand and Foam" dated from a somewhat happier visit to Mexico. The next two tracks, however, reached back to the singer-songwriter's earlier acoustic/folk songbag, and a very different point in his career - the reflective, somber "Writer in the Sun" was written in Greece during the spring of 1966, when it looked as though Donovan's career was in danger of ending due to legal problems. "Mellow Yellow" itself was cut after "Sunshine Superman" and boasted one of the earliest arrangements by John Paul Jones to achieve international recognition (although not without some resistance from Donovan himself), with its broad, biting brass sound. It was, as one could rightly guess, a by-product of the late-1966 hit title track, but the songs dated back in some instances as much as a year, to a point prior to Donovan's having made the leap from folk to pop artist. Influenced lyrically and musically by the contemporary themes that abounded in the countercultural movement.Mellow Yellow is actually more diverse in its sounds than Sunshine Superman, drawing on some of the same era's better follow-up material but also reaching back somewhat further for repertory. It is clear then, that Donovan’s classic was a product of its time. Here, it also carried a sexual nature, referring to Mrs Marion Bloom’s derriere. Furthermore, the words “mellow yellow” appear on page 719 of the first American edition of James Joyce’s classic, Ulysses. This might possibly have influenced his decision to feature his song’s titular colour. Although trippy and hallucinogenic in composition, lyrically, ‘Mellow Yellow’ touches on the era’s other hottest topic, sex.Īdditionally, Donovan had helped devise the Beatles ‘Yellow Submarine’s lyrics from earlier in ’66. In 2011, Donovan claimed the song is “about being cool, laid-back, and also the electrical bananas that were appearing on the scene - which were ladies’ vibrators.” So there we go the quintessentially Donovan song was indicative of the era, just not in the way we thought. For anyone born after then, this is a slang term for a vibrator. The song’s mentioning of an “electrical banana” gives it away to anyone born before 1960. In fact, Donovan claims to have heard the rumour only three weeks before ‘Mellow Yellow’ was released as a single.ĭonovan has since cleared away the forest of rumours sourcing the song’s provenance. According to the liner notes for Donovan’s Greatest Hits, the rumour asserting the banana’s medicinal properties was espoused by Country Joe McDonald in 1966. Of course, that theory has since been debunked, so don’t be getting any ideas. This rumour sounds so ridiculous, even today. Initially, the song was rumoured to be about smoking dried banana skins, which were rumoured to have psychedelic properties in the ’60s. In fact, ‘Mellow Yellow’ was steeped in myth almost instantly after release. However, Donovan has dispelled this myth. It was also rumoured to have been McCartney whispering the slightly creepy “quite rightly” in the chorus. It is also alleged that McCartney played bass in parts of the album Mellow Yellow but was uncredited. The Beatles bassist lends his hand to the song with a clap and the cheer at the end. Showing that Donovan’s illustrious list of friends did not end there, his quintessential song features an uncredited Paul McCartney. It was arranged by none other than John Paul Jones, the only member of the future Led Zeppelin we have not mentioned till this point. The title track and solo single from Mellow Yellow, the song is a psychedelic trip in of itself. One of the hits that culminated in Donovan’s ubiquity was 1966’s ‘Mellow Yellow’.
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